Rococo artists
Antônio Francisco Lisboa (c. 29 August or – 18 November ), better known as Aleijadinho (Portuguese pronunciation: [aleiʒaˈdʒiɲu], lit. 'little cripple'), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil.
Brazil skin color
Aleijadinho (born August 9, ?, Villa Rica [now Ouro Prêto], Brazil—died Novem, Mariana) was a prolific and influential Brazilian sculptor and architect whose Rococo statuary and religious articles complement the dramatic sobriety of his churches. Prolific and influential Brazilian sculptor and architect whose Rococo statuary and religious articles complement the dramatic sobriety of his churches. Little is known about the life of Antônio Francisco Lisboa. Practically all the data available today are derived from a biography written in 1858 by Rodrigo José Ferreira Bretas, 44 years after Aleijadinho's death, allegedly based on documents and testimonies of individuals who had known the artist personally.
Antônio Francisco Lisboa better known as Aleijadinho was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches. Aleijadinho, the son of the Portuguese architect Manoel Francisco Lisboa and an African woman, was born with a degenerative disease that led to the deformation of his limbs (his sobriquet means “Little Cripple”). He eventually lost the use of his hands, but he continued working with tools strapped to his arms throughout the rest of his career.
The rococo
Antônio Francisco Lisboa, the Aleijadinho (the “little cripple”), prominent Brazilian artist, was born in to a Portuguese architect father, Manoel Francisco Lisboa, and his Brazilian slave, Isabel. He died in , in his native state of Minas Gerais, Brazil, poor and unknown. Aleijadinho obras
Aleijadinho (Antônio Francisco Lisbôa; b. ca. ; d. 18 November ), Brazilian architect and sculptor. Aleijadinho wikipedia portugues
Antônio Francisco Lisboa, mais conhecido como Aleijadinho, (Ouro Preto, c. 29 de agosto de ou, mais provavelmente, – Ouro Preto, 18 de novembro de ) foi um importante escultor, entalhador e arquiteto do Brasil colonial. Aleijadinho twelve prophets
The Brazilian architect and sculptor Antônio Francisco Lisbôa, called O Aleijadinho (), an exponent of the rococo style, is acknowledged to be his country's greatest architect and sculptor. Aleijadinho (c. 1738–1814) - Antônio Francisco Lisboa, the Aleijadinho (the “little cripple”), prominent Brazilian artist, was born in 1738 to a Portuguese architect father, Manoel Francisco Lisboa, and his Brazilian slave, Isabel. He died in 1814, in his native state of Minas Gerais, Brazil, poor and unknown. A foremost Read MoreAleijadinho (Antonio Francisco Lisboa), 1738-1814).Aleijadinho - Wikipedia O Centro Cultural Banco do Brasil do Rio de Janeiro realizou em 2007 a exposição Aleijadinho e seu Tempo — Fé, Engenho e Arte, que teve um público recorde de 968 577 visitantes, o maior público, em números absolutos, recebido em uma mostra realizada nos dezessete anos de atuação do CCBB Rio, ultrapassando números da Bienal.Twelve Prophets of Aleijadinho - Wikipedia Aleijadinho (c. 1738–1814) Aleijadinho (Antônio Francisco Lisbôa; b. ca. 1738; d. 18 November 1814), Brazilian architect and sculptor. Born in the provincial capital of Villa Rica do Ouro Prêto, Aleijadinho was a product of colonial Brazil, where the baroque and rococo art and architecture of Minas Gerais was a vehicle of nativist expression; here Saint Michael the Archangel appeared in a. Rococo sculpture characteristics
Aleijadinho, António Francisco Lisboa, known as O (–). The leading practitioner of Baroque and Rococo in Brazil, he was born the illegitimate son of the Portuguese architect Manoel Francisco Lisboa (fl. c–before ) near Ouro Prêto, Brazil. O Aleijadinho -
Little is known about the life of Antônio Francisco Lisboa. Practically all the data available today are derived from a biography written in by Rodrigo José Ferreira Bretas, 44 years after Aleijadinho's death, allegedly based on documents and testimonies of individuals who had known the artist personally.